COLLage WORKS
These collage works emerge as visual anomalies—eccentric fragments within the broader art catalog, often originating from ephemeral sources like promotional flyers, hand-built sculptures, and cast-off materials. Each piece disrupts cohesion deliberately, showcasing a vivid, sometimes psychedelic interplay between childhood nostalgia, folklore, surrealism, and dreamlike distortion.
The image of two children walking through a warped, prismatic countryside (Blindness) evokes an altered memory—reminiscent of a faded postcard filtered through kaleidoscopic glass. Meanwhile, Human Strangeness plunges us into an uncanny neoclassical world reassembled with theatrical absurdity: black swirling skies loom over masked figures and colonial architecture, a surreal stage where history meets the subconscious.
In Kan, the saturated color palette and handmade rabbit-suited figure invoke outsider art traditions—both humorous and grotesque. The pinwheel-like star forms populate the space like sentient flora, forming a parade of terrifying flowers, a visual exporation of inhumanity and the brutality of daily life.
By contrast, Unicorn serves as the dreamy counterweight: a quiet, enchanted twilight world with a lone unicorn reclining by a riverbank, under a cosmos lit by soft stars and a rainbow. Here, the absurd becomes sublime—melancholy and still.
Together, these works serve as a rogue archive of intuition, found material, and playful dissonance. They aren’t part of any formal series, but their shared strangeness binds them—a loose constellation of visual oddities, deeply personal and defiantly unclassifiable.
